You do get to see
a couple sets of boobs, briefly, in the beginning, and one more
set stiffly sitting on the chest of a dead girl toward the end.
To me, dead girl nipples don't count, though, even if she's
really just acting dead. Watching this movie is like going to
a Hooter's and getting a male waiter. The movie, like Hooter's
food, sucks, so it's only legitimate reason to exist is as a
nipple delivery system for teenage boys--and older men equally
desperate. Turistas gives no other justification for
its existence.
Like Saw and
Hostel and every shitty sequel they spawn in the raging
river of low-expectation horror, Turistas doesn't do
much scaring, just a bunch of grossing and a hell of a lot of
gritty dim lighting that is used to set the tone when the script
can't.
A group of completely
interchangeable and unlikable tourists from America, England
and Australia get stranded in a remote part of Brazil. They
drink and dance at a beach bar until they pass out, then wake
up to find all of their belongings stolen. In general, the tourists
are assholes, especially the one we're supposed to identify
the most with: TV's near-star Josh Duhamel. He's a whiny worry-wart
who shits on the locals' feelings with his xenophobia.
The tourists are
duped by a local who is working for the psychopathic Bad Guy,
a doctor who is giving poor children inoculations the first
time we see him. Oh, yeah; good thinking. We'll definitely root
for Duhamel's boring-ass, pissy American to escape the compassionate
doctor. The local leads the tourists to a remote cabin where
they rudely rifle through the drawers, cupboards, drink the
hooch and steal what they like while unsuspectingly awaiting
their doom.
Their doom is that
the doctor plans to harvest their organs to compensate for the
Brazilians killed each year to give fat, rich first-world drunkards
new livers. He apologizes to them in advance, of course, and
says it's nothing personal. His logic is asinine, for sure,
but he's the only fucker in the movie with any sort of morality
at all. That is, when he's not spouting trite aphorisms to children
or stabbing his wayward henchmen in the eyes with skewers.
The first half of
the movie is a muddy slog through improbability just to get
the tourists to a remote cabin. Gee, hasn't there been one or
two horror movies already where young people get stranded in
a cabin? What the fuck is the point of starting in Brazil if
that's where this thing ends up?
The last half hour
of the movie is as confusing as watching porn with identical
twins in it. You know, your feelings are all mixed up because
you sort of want to see them doing it, but then that's incest
so it's creepy, and if they do get it on you start feeling sad
for how fucked up their lives must be. There's none of that
emotional confusion in Turistas because there is nobody
to give a monkey's red dick about. The end is just a jumble
because everyone's running around, it's too dark, the escape
is incredibly lame, too many people have guns and it's all topped
off with fifteen minutes of people swimming underwater with
flashlights. What the fuck is a horror-movie director or writer's
job if he is going to end up with gunfire? I thought the whole
point was for newer and better ways to see people die.
The grand finale
is a super-duper-cheesy copout where one of the Tourists tells
the doctor's henchman not to kill them because they never hurt
him, but the doctor is a meanie. Of course, the henchman kills
the doctor. Apparently, in all the time he had been employed
as a henchman and killed tourists, it never occurred to the
man to get a spine. All he ever needed was a few corny words
from a pretty girl to go straight and narrow. Fucking retarded
copout bullshit. If a director is going to make us spend all
that God damn time sitting through his pretty-blue-light skindiving
movies, the least he could do is finish it off with something
plausible. And, of course, show us more tits.
Turistas reeks
like a turd from the ass of Hostel and Saw. The
lighting, the tone and the semi-artsy dingy settings are derivative.
The stars are supposed to be good-looking college kids, but
they are early-twenties the way the cast Beverly Hills 90210
was in their teens. Receding hairlines give it away. Especially
on the ladies. The behavior of all the tourists is interchangeable
with the exception of the whiny Duhamel, who never shows any
cleverness or wit that makes him worth giving two bits of shit
about. Of course, he, the girl he loves and his little sister
are the ones to survive. I can't remember or discern how the
others die.
Director John Stockwell
tries too fucking hard not to insult any culture that might
buy tickets. The result is that he makes everyone just about
equally dull and unlikable. I got the sense he thought he was
making a pretty artsy film, so he didn't have to resort to the
usual bump-in-the-night scares. But those would have been welcome
texture given the flat, drab story that dribbles out of him
like an old man's piss at three a.m.. The movie doesn't build
to much, but a sense of dread hangs over the whole thing like
smog in the San Fernando Valley. There are no highs from the
early party scenes because he washes them out in grim lighting.
There are no lows at the end because the story is too busy rushing
through the paces of direct-to-video action sequences.
Turistas is
dogshit, and I haven't voluntarily eaten dogshit since I was
nineteen. By the way, I don't consider eating dogshit because
someone says they will give you five bucks if you do to be voluntary.
If you want to make me swallow something this foul, come up
with the five bucks, or at least show me some boobs. Two
Fingers.
NaNoWriMo
Results
For those who care,
this is the final and official list of Filthy Reader's who not
only said they weren't pussies, but proved it by writing a novel
in November. Congratulations to all of you. If your story is
anything like mine, it's a steaming pile of shit with some nuggets
of pure gold buried in there. The trick is digging up those
nuggets now that the month is over.